To be found... 5


 * [[image: button_0.png|25px|link=Cover_page|Go to cover page]]
 * [[image: button_i.png|25px|link=Introduction|Go to i. Introducion]]
 * [[image: button_ii.png|25px|link=The_title|Go to ii. The title]]
 * [[image: button_iii.png|25px|link=The_totem|Go to iii. The totem]]
 * [[image: button_iv.png|25px|link=The_far_distant_shore|Go to iv. The far distant shore]]
 * [[image: button_v.png|25px|link=Driftwood|Go to v. Driftwood]]
 * [[image: button_vi.png|25px|link=Dry_tears|Go to vi. Dry tears]]
 * [[image: button_vii.png|25px|link=A_circle_of_grey|Go to vii. A circle of grey]]
 * [[image: button_viii.png|25px|link=To_be_found...|Go to viii. To be found…]]
 * [[image: button_ix.png|25px|link=Information_pack|Go to ix. Information pack]]

page 85  Perhaps Roger Waters' preferred interpretation is the most obvious, since in a 1973 interview he said "I often think that the best ideas are the most obvious ones". He should agree with this opinion about the final lines of Opel:  After a while it seems as plain as the nose on your face that he must have been addressing himself in these lines, and it will give you the shivers. — www.lastplanetojakarta.com

Curiously, Roger Waters used a rather "reflexive" second-person in "Echoes", with the line "And I am you and what I see is me", and in the 1982 film The Wall, when the protagonist sees himself as a child.

 sources → Last Plane to Jakarta. "Milky Way." Web. http://www.lastplanetojakarta.com/articles/opel8.html