Introduction 2


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page 4  The same problem appears in "Vegetable Man":  I've been looking all over the place for a place for me But it ain't anywhere, it just ain't anywhere  And in "Jugband Blues", with the famous opening lines:  It's awfully considerate of you to think of me here And I'm much obliged to you for making it clear that I'm not here  But the best example of the supposed changeable, volatile playfulness of "Late Night", can be found in these lines from "No Man's Land", where there is a possible place to go:  Just searching you even try I can make you smile If it's there will you go there too? When I live I die  This problem, this feeling of lack of place which recurs in certain songs, may be the beginning of a desire to escape or to seek refuge somewhere else, as "Opel" probably shows. Syd was still great to be with and we had some amazing times when he would play the guitar or come down to the beach with us. He would be laughing and telling us a joke one minute and then suddenly go back to his land of never-never. &mdash; Iain "Emo" Moore

 sources → Rock, Mick. Syd Barrett: The Madcap Laughs: The Mick Rock Photo-Sessions. London: UFO Music Ltd, 1992. Print. http://www.oocities.org/vienna/strasse/2724/mickrock.html